In 2011, Houston’s Robert Ellis made a sizable splash with his New West Records debut Photographs. The long-haired singer got a write-up in The New York Times and headlined tours across the country, and it’s easy to understand why. Photographs is a remarkably mature record for a man in his early twenties. Split between an acoustic first half and a more raucous second half, the album showcased Ellis’ obvious gifts as a country songwriter.
Flash-forward a few years: Ellis has cut his hair and moved to Nashville, two acts that are tantamount to treason here in the land of Willie Nelson. During a 2013 live session in Studio 1A, Ellis got a chance to explain himself. Speaking about his hair, he claimed he got tired of “looking like a dirtbag,” and the move to Nashville offered an opportunity to get more professional about his music. Being in the thick of the country establishment has been a real boon to Ellis, inspiring him to up his songwriting game. This year’s The Lights From The Chemical Plant incorporates his life-long love of jazz into his honky-tonk ramblings, just like Willie Nelson did before him, and Bob Wills did before Willie. We caught up with Ellis backstage at ACL Fest 2014 for a stripped-down performance. Check out “Good Intentions” below!