By design, the world of hip-hop is full of braggadocious personalities. But even the most prolific boasters can get tripped up by a perfectionist approach. Take for instance Austin rapper-producer-brandmaker Eric Mikulak, better known by his creative handle Click-Clack.
Back in the early 2010s, alongside his role as frontman for rap-rock outfit Karmatron, Click-Clack used to crank out tracks nonstop from his home studio, sometimes writing, producing, and recording up to three tunes from scratch in a night. And the scorpio that he is, there’d typically be a roisterous social media presence before and after each new single release. Of course, as the genre’s evolved over time, Mikulak’s only matured, and it’s safe to say that making hip-hop entirely on his own is no longer a challenge. So while the confidence is rightfully still there, Click-Clack’s shifted focus towards fine-tuned, full-length collaborations with a rolodex of producers from across the globe, and entrusted mixing-mastering duties to other industry pros. As a matter of fact, Click-Clack just shared his second LP of the year, Hypercritical, last Friday.
At just shy of a dozen tunes, Hypercritical offers yet another candid look into Mikulak’s complicated mind, flaws, insecurities, and all. Seven of the eleven enroll at least two outside producers in a sprawling sonic tapestry draped behind Click-Clack’s idiosyncratic verbal formulas, including “Welcome To Texas”, which enlists olly and fr4ud for a two-minute chop-heavy chipmunk soul masterpiece.
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