Austin area indie-rock/guitar-pop connoisseurs ought to be well acquainted with the legendary experimental outfit Cotton Mather. The core members of Cotton Mather have kept each other company for a little over two decades, albeit non-consecutive ones. And yet you might still be unfamiliar with Cotton Mather co-founder Harold Whit Williams’ solo endeavor, Daily Worker.
To call this prize-winning author-poet-guitarist prolific is putting it mildly; in less than half a decade Daily Worker has put out more than a dozen full-lengths, including the Shelter In Tapes lo-fi four-track series. Each new addition is an absolute jackpot of jangle pop chock-full of moving ruminations, a trend set to continue with Autofiction.
Autofiction drops February 3rd, but Daily Worker’s already released the LP’s first two tracks as a 45, with a full band release show 6:30pm this Friday at Love Wheel Records. Visually, its A-Side (which doubles as Autofiction‘s album opener) brings a bit of ’60s psychedelia to the cemetery. And despite its title, “Irish Goodbye” gushes Eastern energy with sitar-inspired lead guitar riffs that’d have George Harrison sticking around for more.
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