Support for KUTX at SXSW 2023 comes from PNC Bank and Chattanooga Whiskey
As mentioned on Monday, our Scholz Garten guest Son Rompe Pera did an outstanding job of representing Mexico City’s diverse scene for our live morning broadcast last week. And while SRP made an impression that’ll surely have folks talking til next SXSW, they weren’t the only ones bridging capitals; we were also fortunate enough to have M.C. native Nan de Miguel on deck, better known as Girl Ultra.
Seven years after she first got signed, Girl Ultra’s grip on undulating melodies and bilingual verbal abilities have escalated her into the upper caliber of Latin R&B rockstars like Kali Uchis and Nathy Peluso. By building on an already-rich reputation for adaptability and sonic variety (including an appearance on Adrian Quesada’s Boleros Psicodélicos), last April, Girl Ultra branched out to genres like U.K. two-step, indie pop, alt-rock, and even orchestral Bossa nova on her latest studio release, EL SUR. Well, last week Girl Ultra brought some of EL SUR, Nuevos Aires (2019) and Adiós (2018) north of the border and into our city limits.
On Friday morning Girl Ultra got up onstage at Scholz Garten and gave it her all with hybrid arrangements that beautifully blended backing track samples with live instrumentation. The set certainly attracted a pack of new listeners like everyone’s favorite camelids (sorry, alpacas) thanks to lush renditions that included the album opener from Girl Ultra’s 2018 sophomore EP Adiós, “Llama“.
Nan De Miguel (Girl Ultra) – Vocals, guitar; Sami Mendoza – drums; Shao – guitar
Producer: Deidre Gott; Audio Engineer: Jake Perlman; Rene Chavez; Audio Mix: Rene Chavez; Cameras; Michael Minasi; Renee Dominguez; Patricia Lim; Alyssa Olvera; Jesse Curneal; Edit: Patricia Lim
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